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When it comes to legends, there's really no such thing as a generation gap. And there's no denying that blonde, plucky, ebullient British actress Hayley Mills is a legend for all time. Today, she's a living American icon, just as much of a Disney luminary as Mouseketeer Annette Funicello or animated heroines Ariel or Belle.
A little girl who grew up fast and must have caused her parents the stiff-upper-lip Brit actor John Mills and playwright Mary Hayley Bell no end of grief and heart attacks, impertinent imp Hayley Mills starred in six Walt Disney films over a five-year span, most memorably playing twins in The Parent Trap After turning eighteen and outgrowing her Disney contract, Hayley ran off with her luscious thick lips and wide-eyed insouciance and married Roy Boultingher director on The Family Way Hayley was all of twenty; Boulting was a young-thinking fifty-two.
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They both became child stars by playing the same set of twins, albeit almost 40 years apart. But for millions of Boomers, they likely recall the star of the original, Hayley Mills. Before that, of course, there were drugs, rehabs, traffic incidents and more.
She is alive and well and living near London, working in the English theater and, best of all, has returned to Walt Disney Studios to star in 'Parent Trap II,' 25 years after starring as the twin mischief-makers in 'The Parent Trap. Hayley was the button-nosed darling of the s who endeared herself to movie audiences in 'Pollyanna,' 'Whistle Down the Wind,' 'In Search of the Castaways,' 'Summer Magic,' 'The Moonspinners' and others. Her flaxen hair, big round eyes and broad English accent made her a miniature superstar.
Meter Made Stan becomes a meter maid. When the neighborhood committee bypasses the Smith home for the Parade of Homes, Francine becomes depressed. The next day, Stan ponders his fate and finds he is being written a parking ticket. When the officer refuses to take it back, Stan beats him up.
As I have noted, one of the key difficulties faced by child stars and especially by girls is how they revise their image as they grow up, and how successfully they make the transition to adult roles. Others — perhaps those who were more implicitly or explicitly sexual in the first place — seem to make the transition more smoothly: Elizabeth Taylor or Jodie Foster, for example. Many appear to crash and burn in their private lives, and never fully recover, attracting a great deal of voyeuristic publicity in the process: examples here might include Drew Barrymore or Macaulay Culkin or indeed Michael Jackson.